Selasa, 23 April 2013

[T152.Ebook] PDF Download Ball Four: Twentieth Anniversary Edition, by Jim Bouton

PDF Download Ball Four: Twentieth Anniversary Edition, by Jim Bouton

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Ball Four: Twentieth Anniversary Edition, by Jim Bouton

Ball Four: Twentieth Anniversary Edition, by Jim Bouton



Ball Four: Twentieth Anniversary Edition, by Jim Bouton

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Ball Four: Twentieth Anniversary Edition, by Jim Bouton

Twentieth-anniversary edition of a baseball classic, with a new epilogue by Jim Bouton.

When first published in 1970, Ball Four stunned the sports world. The commissioner, executives, and players were shocked. Sportswriters called author Jim Bouton a traitor and ""social leper."" Baseball commissioner Bowie Kuhn tried to force him to declare the book untrue. Fans, however, loved the book. And serious critics called it an important social document. Today, Jim Bouton is still not invited to Oldtimer's Days at Yankee Stadium. But his landmark book is still being read by people who don'tordinarily follow baseball.

  • Sales Rank: #35969 in Books
  • Published on: 1990-07-12
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.26" h x 1.06" w x 5.50" l, 1.10 pounds
  • Binding: Paperback
  • 465 pages

Amazon.com Review
As a player, former hurler Jim Bouton did nothing half-way; he threw so hard he'd lose his cap on almost every pitch. In the early '70s, he tossed off one of the funniest, most revealing, insider's takes on baseball life in Ball Four, his diary of the season he tried to pitch his way back from oblivion on the strength of a knuckler. The real curve, though, is Bouton's honesty. He carves humans out of heroes, and shines a light into the game's corners. A quarter century later, Bouton's unique baseball voice can still bring the heat.

Review
* A book deep in the American vein, so deep in fact it is by no means a sports book"" --David Halberstam

""Ball Four is a people book, not just a baseball book."" --Christopher Lehmann-Haupt, The New York Times

From the Author
For the new edition of this historic book, Jim Bouton has written a highly entertaining epilogue, reflecting upon his life at the age of 60, the traumatic death of his daughter, and the heartwarming invitation from the Yankees to play in his first Old-Timers’ Day game since his exile from the club. Says the author about his ground-breaking book, "By establishing new boundaries, Ball Four changed sports reporting at least to the extent that, after the book, it was no longer possible to sell the milk and cookies image again. Besides, you can get sick on milk and cookies." Ball Four is a high-and-inside fastball that will forever be a journalistic classic.

Most helpful customer reviews

3 of 3 people found the following review helpful.
As Relevant As Ever.
By Jason A. Miller
I discovered a copy of "Ball Four" in my high school library over 25 years ago, and found it to be laugh-out-loud funny. Jim Bouton, in the twilight of his baseball career, and suffering from a sore arm (this was in the days before sports medicine came along and prolonged careers), reinvented himself as a knuckleball pitcher and hooked on with the lowly expansion Seattle Mariners. His observations on locker room life and on the easy availability of hot young women to professional athletes, was an inspiration to me at age 14. Ever since then, I've picked up a copy of the book every few years (and I have at least three copies by now) and always find something new to enjoy or quote or admire.

Other reviewers on this site refer to "Ball Four" as "dated". I could not disagree more. Even though the book was largely written in 1969, it still has a lot to tell us about modern-day society, labor-management relationships, the role of sports in society, and politics. Bouton, as a 30-year-old ballplayer, was unusually observant, and, as he writes from 1969 -- the same year that "Mad Men" is up on TV now, as I write this review -- spokevery perceptively about the kinds of societal change that most of us enjoy watching Don Draper struggle with. Also, as an avowed left-winger, Bouton provides a perspective different to the majority of other baseball figures.

Reading "Ball Four", you can choose to just enjoy the more raunchy or R-rated material while ignoring the more social or political material. Or you can read up on the very early years of baseball's labor wars, and get your history lesson on the likes of Bowie Kuhn and Marvin Miller. Or, if you enjoyed the movie "Office Space", there's tons of material here about the short-sightedness of the management, which involved at least 7 increasingly muffled layers of supervision between the owners and the players of a single team. Bouton was a keen student of baseball history, and spends a fair bit of time talking about old players, and the guys he followed when he was a kid; he has the misfortune in 1969 to be coached by Sal Maglie, one of Bouton's childhood heroes but a truly inept pitching coach (as they say, never meet your heroes!)). But, not only that, Bouton figured into the very dawn of today's statistical-oriented baseball analytics --he realized that relief pitchers should be judged by inherited runners scored and baserunners-per-inning ratios, rather than purely by wins and losses. He was immensely valuable as a relief pitcher in 1969 -- his Strat-O-Matic card proves that -- but the Pilots ignored him and under-utilized him, because they weren't paying attention to the right information.

So, read "Ball Four" -- and its several updates, issued in 1980, 1990, and 2000. There's something amazing on nearly every page of the book and its supplements -- funny, titillating, insightful, of historical interest, or just plain mind-boggling. There are very few other baseball books that hit their targets so directly, or that are so eminently quotable. The book will be 50 years old soon, but it will never, ever, go out of date.

0 of 0 people found the following review helpful.
Baseball book for those who like people, not just the sport
By John R. Rebillot
I first read this book back in the mid 70's when I wanted to learn a little bit about baseball because I wanted to be able to talk with co-workers about the game. I was not a baseball or sports fan at the time. To tell the truth, I'm still not. But I just got a retirement job as an usher at a minor league ballpark and decided that I needed to refresh some info. So, when this book popped up as a Kindle special daily deal, I got it again. It was even better after almost 40 years. What I loved about the book was that it made baseball players human beings and that made me curious about the game. Reading it again made me appreciate what the players went through back then, the difficulty of their lives (in spite of all of the so-called glamour) and how tenuous the baseball career can be. This edition also included updates from many years after it was published and it thrilled me and yes, I cried along with him. It is one of the best books that I have ever read.

0 of 0 people found the following review helpful.
A wonderful memoir and a poignant update
By honest Abe
This is the third time I've read the book. The last time was about twenty years ago. Has the great expose faded in its intensity and boldness through the years? Yes I think it has. Are the stories as funny as I had remembered? Yes, despite the immature locker room busting chops and pranks, I still laughed out loud numerous times. But remember most of those guys were still young men. The locker room reminded me of my fraternity house: the same kind of humor-just not as good. So, it's a bit politically incorrect and sexist. Can anyone really say they didn't love Animal House when they first saw it?
Prank example: A faux legal letter is sent to pitcher Fred Talbot promising a paternity suit is in the works. Talbot, rereading it three times, buries his head. Teammate Tommy Davis says, after the prank is revealed, "I didn't think you Caucasians could get any whiter". Ray Oyler follows with, "You couldn't have pulled a needle out of his ass with a tractor."
Prank example: Joe Pepitone goes to the team trainer complaining about his penis, after he had placed a piece of popcorn underneath his foreskin. The doctor says, "I have never seen a venereal disease like this before in my life."
Best oral line: The Seattle Pilots moved up batting practice to accommodate a nationally televised game. The new time was 10:30. Catcher Jim Pagliaroni quips, "I'm not even done throwing up at that hour!"
Best written line: On a form that players had to fill out for the publicity department, one question asked "what is the most difficult thing about playing major league baseball?". Mike Hegan writes, explaining to your wife why SHE has to get a penicillin shot for your kidney infection."
Best bit: Dick Stuart(strange glove), habitually late for meetings, shows up late and mimics a red carpet academy award announcer..... "He's wearing a Stanley Blacker jacket with Adolfo shoes...
Best duo bit: Mimicking what it was like for Mickey Mantle, always played in great pain, when he would be asked by a coach how his legs were and if he could play. "I'm fine, I'll just scotch tape my lower leg to my upper leg"...
But it's far from all laughs. This book told of the culture of baseball as it was before 1970. This was a time when players worked in the off season-had to. They squabbled over a $2-3000 raise-often losing to the dictatorial GM. It was a time of exploitation and Bouton makes it clear why the baseball owners and especially former Commissioner Bowie Kuhn hated the book. He had committed heresy, not so much for blabbing about inept coaches or the tell-all nature of the book, but by talking about salaries and the reserve clause. Remember this is the year Marvin Miller is just beginning to work for players. Free agency still didn't exist except in the minds of free thinkers.
Today's players get about $600,000 minimum salary and about $220,000 a year pension after 10 years of service. Bouton's year in 1969 was a transition year from the Dark Ages to what may have gone too far in the other direction. It was a time of relative simplicity. Wins were what counted for a pitcher to get a raise. It was a time when the expression, "throw the ball, see the ball, hit the ball" was in vogue. No advanced stats, no defensive shifts, just simply play ball. Yet still players, Bouton included, felt grateful that they were able to play the game in the majors even if they barely made ends meet.
There are some interesting points made too about racial differences, the counter-culture, and even the Vietnam War. I found it interesting that Bouton opined that players try not to get too close to one another because they may be demoted or traded and it hurts too much: much the same as rotating troops every 9 months so that men would not form too close a bond when they saw fellow soldiers get killed in action.
But what really got my attention was the prevalence of "greenies" in baseball as early as the late 60's. I had thought it was a 70's thing. Don Michner is quoted as saying the entire Oriole and Detroit teams were users as well as 50% of the Pilots.

There was some gossip too: Elston Howard was duplicitous as per Bouton, and Maris and Yaz often dogged it.
Bouton may have whined a bit in the book, but it's an honest memoir and Bouton let's us know that players care for their own personal achievements first and team next. He frankly discusses how a borderline pitcher like himself is often ambivalent about a competitor's success even if he is a teammate. He often rooted for the team but with the condition that his competition got shelled first and then the team rallied to win. It is a tight rope that Bouton had to carefully maneuver.
He captures how baseball "grabs you" with this memory. He is on a plane with turbulence going to Houston for his first start for that team. he thinks to himself, "gee if this plane goes down, I hope that the papers at least have me down as the probable starter."
This is a fascinating look into the life of a big leaguer of those times. Finances and freedom have changed, but I'll bet the pranks and busting chops are still just as prevalent.
Updates: For those of you fortunate to have the updated version, I must say that I was moved to tears several times by the chapter called "The Last thirty Years". In this chapter we get to know the maturing Jim Bouton; it embodies the aging process of its author in a most meaningful way. As Jim tries to come to grips with life after a short comeback in 1978, he must deal with the reality of "it's time hang up the spikes" and all that that means. The longing to play ball even in small towns, to hang on to the memories, the dreams of a baseball life still gnaw at him. He is 57 and he is aging and trying to live with the worst kind of pain-the loss of a beautiful, loving daughter just beginning her third decade of life. This chapter is so poignant and raw it's almost to difficult to bear. The letter from step-sister Hollis to her recently deceased sister is just one of several moments to grip the reader. Then there is the magnificent father's Day gift from son Michael, whose open letter published by the NY Times to the Yankees entreating them to invite his father to the Old Timer's Game, leads to one of Jim Bouton's most satisfying days, even if it is only a temporary hiatus from his suffering and debilitating loss. I have no doubt that even seventeen years later, the anxiety and the depression still remain, although one hopes only occasionally and that Jim and Paula are enjoying their lives and their grandchildren. Thank you so much for letting us into your heart with such a heart wrenching chapter.

This is the third time I've read the book. The last time was about twenty years ago. Has the great expose faded in its intensity and boldness through the years? Yes I think it has. Are the stories as funny as I had remembered? Yes, despite the immature locker room busting chops and pranks, I still laughed out loud numerous times. But remember most of those guys were still young men. The locker room reminded me of my fraternity house: the same kind of humor-just not as good. So, it's a bit politically incorrect and sexist. Can anyone really say they didn't love Animal House when they first saw it?
Prank example: A faux legal letter is sent to pitcher Fred Talbot promising a paternity suit is in the works. Talbot, rereading it three times, buries his head. Teammate Tommy Davis says, after the prank is revealed, "I didn't think you Caucasians could get any whiter". Ray Oyler follows with, "You couldn't have pulled a needle out of his ass with a tractor."
Prank example: Joe Pepitone goes to the team trainer complaining about his penis, after he had placed a piece of popcorn underneath his foreskin. The doctor says, "I have never seen a venereal disease like this before in my life."
Best oral line: The Seattle Pilots moved up batting practice to accommodate a nationally televised game. The new time was 10:30. Catcher Jim Pagliaroni quips, "I'm not even done throwing up at that hour!"
Best written line: On a form that players had to fill out for the publicity department, one question asked "what is the most difficult thing about playing major league baseball?". Mike Hegan writes, explaining to your wife why SHE has to get a penicillin shot for your kidney infection."
Best bit: Dick Stuart(strange glove), habitually late for meetings, shows up late and mimics a red carpet academy award announcer..... "He's wearing a Stanley Blacker jacket with Adolfo shoes...
Best duo bit: Mimicking what it was like for Mickey Mantle, always played in great pain, when he would be asked by a coach how his legs were and if he could play. "I'm fine, I'll just scotch tape my lower leg to my upper leg"...
But it's far from all laughs. This book told of the culture of baseball as it was before 1970. This was a time when players worked in the off season-had to. They squabbled over a $2-3000 raise-often losing to the dictatorial GM. It was a time of exploitation and Bouton makes it clear why the baseball owners and especially former Commissioner Bowie Kuhn hated the book. He had committed heresy, not so much for blabbing about inept coaches or the tell-all nature of the book, but by talking about salaries and the reserve clause. Remember this is the year Marvin Miller is just beginning to work for players. Free agency still didn't exist except in the minds of free thinkers.
Today's players get about $600,000 minimum salary and about $220,000 a year pension after 10 years of service. Bouton's year in 1969 was a transition year from the Dark Ages to what may have gone too far in the other direction. It was a time of relative simplicity. Wins were what counted for a pitcher to get a raise. It was a time when the expression, "throw the ball, see the ball, hit the ball" was in vogue. No advanced stats, no defensive shifts, just simply play ball. Yet still players, Bouton included, felt grateful that they were able to play the game in the majors even if they barely made ends meet.
There are some interesting points made too about racial differences, the counter-culture, and even the Vietnam War. I found it interesting that Bouton opined that players try not to get too close to one another because they may be demoted or traded and it hurts too much: much the same as rotating troops every 9 months so that men would not form too close a bond when they saw fellow soldiers get killed in action.
But what really got my attention was the prevalence of "greenies" in baseball as early as the late 60's. I had thought it was a 70's thing. Don Michner is quoted as saying the entire Oriole and Detroit teams were users as well as 50% of the Pilots.

There was some gossip too: Elston Howard was duplicitous as per Bouton, and Maris and Yaz often dogged it.
Bouton may have whined a bit in the book, but it's an honest memoir and Bouton let's us know that players care for their own personal achievements first and team next. He frankly discusses how a borderline pitcher like himself is often ambivalent about a competitor's success even if he is a teammate. He often rooted for the team but with the condition that his competition got shelled first and then the team rallied to win. It is a tight rope that Bouton had to carefully maneuver.
He captures how baseball "grabs you" with this memory. He is on a plane with turbulence going to Houston for his first start for that team. he thinks to himself, "gee if this plane goes down, I hope that the papers at least have me down as the probable starter."
This is a fascinating look into the life of a big leaguer of those times. Finances and freedom have changed, but I'll bet the pranks and busting chops are still just as prevalent.
Updates: For those of you fortunate to have the updated version, I must say that I was moved to tears several times by the chapter called "The Last thirty Years". In this chapter we get to know the maturing Jim Bouton; it embodies the aging process of its author in a most meaningful way. As Jim tries to come to grips with life after a short comeback in 1978, he must deal with the reality of "it's time hang up the spikes" and all that that means. The longing to play ball even in small towns, to hang on to the memories, the dreams of a baseball life still gnaw at him. He is 57 and he is aging and trying to live with the worst kind of pain-the loss of a beautiful, loving daughter just beginning her third decade of life. This chapter is so poignant and raw it's almost to difficult to bear. The letter from step-sister Hollis to her recently deceased sister is just one of several moments to grip the reader. Then there is the magnificent father's Day gift from son Michael, whose open letter published by the NY Times to the Yankees entreating them to invite his father to the Old Timer's Game, leads to one of Jim Bouton's most satisfying days, even if it is only a temporary hiatus from his suffering and debilitating loss. I have no doubt that even seventeen years later, the anxiety and the depression still remain, although one hopes only occasionally and that Jim and Paula are enjoying their lives and their grandchildren. Thank you so much for letting us into your heart with such a heart wrenching chapter.

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Sabtu, 20 April 2013

[G419.Ebook] Ebook Barron's AP Art History with CD-ROM, 3rd Edition (Barron's AP Art History (W/CD)), by John B. Nici M.A.

Ebook Barron's AP Art History with CD-ROM, 3rd Edition (Barron's AP Art History (W/CD)), by John B. Nici M.A.

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Barron's AP Art History with CD-ROM, 3rd Edition (Barron's AP Art History (W/CD)), by John B. Nici M.A.

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Barron's AP Art History with CD-ROM, 3rd Edition (Barron's AP Art History (W/CD)), by John B. Nici M.A.

This completely updated and revised review guide will help Advanced Placement students learn everything they need to know about the redesign of the Art History course. Emphasis has been placed on ensuring student success in view of the redesigned curriculum, the newly structured exam, and the innovative scoring criteria. Comprehensive preparation for the AP Art History test includes:

  • A diagnostic test and two full-length model tests with all questions answered and explained
  • Art history review describes major artists and art movements
  • Additional chapters on art outside of the European tradition
  • Multiple-choice questions and practice essays follow every chapter
  • Book can be purchased with an optional CD-ROM presenting more than 400 flash card images that test knowledge of works of art plus two additional practice tests with automatic scoring

With Barron’s AP Art History, students will get all the information they need to score a 5 on the Advanced Placement test.

System Requirements:

Microsoft® Windows®
  • 2.33GHz or faster x80-compatible processor, or Intel Atom™ (1.6GHz or faster processor for netbook class devices)
  • Microsoft® Windows® XP, Windows Server 2008, Windows Vista® Home Premium, Business, Ultimate, or Enterprise (including 64 bit editions) with Service Pack 2, Windows 7, or windows 8 Classic
  • 512MB of RAM (1GB recommended)

    MAC® OS X
  • Intel® Core™ Duo 1.83GHz or faster processor.
  • Mac OS X v10.6, v10.7, v10.8, or v10.9
  • 512MB of RAM (1GB recommended)

    • Sales Rank: #1097114 in Books
    • Published on: 2015-08-15
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.70" h x 1.10" w x 8.30" l, .0 pounds
    • Binding: Paperback
    • 552 pages

    From the Inside Flap
    Table of Contents:
    Barron’s Essential 5
    PART ONE: GETTING TO KNOW THE AP EXAM IN ART HISTORY
    Introduction
    Answering the Multiple-Choice Questions
    Answering the Free-Response Questions
    PART TWO: DIAGNOSTIC TEST
    Test
    Answer Key
    PART THREE: CONTENT REVIEW
    Prehistoric Art
    Ancient Near Eastern Art
    Egyptian Art
    Greek Art
    Etruscan Art
    Roman Art
    Late Antique Art
    Byzantine Art
    Islamic Art
    Early Medieval Art
    Romanesque Art
    Gothic Art
    Gothic Art in Italy
    Early Renaissance in Northern Europe
    Early Renaissance in Italy: Fifteenth Century
    High Renaissance and Mannerism
    Baroque Art
    Art of New Spain: Spanish Colonies in the Americas
    Rococo and Neoclassicism
    Romanticism
    Late Nineteenth-Century Art
    Early and Mid-Twentieth-Century Art
    Indian and Southeast Asian Art
    Chinese and Korean Art
    Japanese Art
    Art of the Americas
    African Art
    Oceanic Art
    Contemporary Art
    PART FOUR: PRACTICE TESTS
    Practice Test 1
    Practice Test 2
    Glossary
    Photo Credits
    Index

    About the Author
    John B. Nici has a master’s degree in art history and is retired from teaching at Lawrence High School in Cedarhurst, New York. He is currently a Professor of Art History at Queens College in Flushing, New York. In 2004, he was the recipient of Queens College’s President’s Award for Excellence in Teaching by Adjunct Faculty. He has published extensively on Art History pedagogy and has presented and published scholarly papers on topics that include Byzantine Art, Gothic Art, and Delacroix. He is the author of Famous Works of Art―and How They Got that Way.

    Most helpful customer reviews

    8 of 8 people found the following review helpful.
    Invaluable Resource
    By Gregory k wireman
    Barron's AP Art History, 3rd Edition This book covers every aspect of the AP Art History Course redesign. If you teach AP Art History you know that NO COLLEGE LEVEL TEXTBOOK includes information on each image in the new AP 250, this book does. Not only does John Nici break down each image into manageable chunks but gives a crash course in each content area. This book is an invaluable resource to both the instructor and the student.

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    Within the first two chapters found errors in practice exercises in Ancient New Eastern Art . There were three wrong answers on the Answer key and Answers explained. Maybe they were in hurry to get a redesign book out.

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  • Rabu, 17 April 2013

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    Why another textbook on the design of wood sets this book apart is its inclusion of "struc­ structures? In many years of teaching structural tural planning. " Most textbooks show only the design in wood, the authors have used virtually selection of member proportions or number of every textbook available, as well as using only connectors in a joint to satisfy a given, com­ a code and no textbook at all. The textbooks pletely defined situation. This book, on the used have included both the old and the rela­ other hand, shows the thinking process needed tively modem; some have been fairly good, but to determine whether or not the member is re­ in our opinion each has deficiencies. Some quired in the first place. Following this, the books have too few solved examples. Others spacing and continuity of the member are de­ omit important material or have an arrange­ cided, its loads are determined, and finally its ment making them difficult to use as formal shape and size are selected. teaching tools. By writing this book, we intend We believe that illustrating structural plan­ to correct such deficiencies. ning as well as detailed member and connec­ The prime purpose of this book is to serve as tion design is of considerable value in helping a classroom text for the engineering or archi­ the student make the transition from the often tecture student.

    • Published on: 2013-10-04
    • Released on: 2013-10-04
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.00" h x 1.01" w x 7.01" l, 1.70 pounds
    • Binding: Paperback
    • 426 pages

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    Senin, 08 April 2013

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    • Sales Rank: #11629010 in Books
    • Binding: Hardcover

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    A landscape painting guide for oil painters that breaks landscapes down into component elements from nature, and showcases tools and techniques used by classic and modern oil painters for bringing these scenes to life.
         Landscape painting is one of the most popular subjects for painters working in the medium of oils--from classic masters to contemporary artists. In The Elements of Landscape Oil Painting, established Watson-Guptill author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts: sky, terrain, trees, and water. Each featured element builds off the previous, with additional lessons on the latest brushes, paints, and other tools used by artists. Key methods like observation, rendering, and color mixing are supported by demonstration paintings and samples from a variety of the best landscape oil painters of all time. With The Elements of Landscape Oil Painting, oil painters looking to break into landscape painting or enhance their work will find all the necessary ingredients for success.

    • Sales Rank: #28134 in Books
    • Published on: 2015-08-18
    • Released on: 2015-08-18
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.29" h x .81" w x 9.30" l, .0 pounds
    • Binding: Hardcover
    • 208 pages

    About the Author
    SUZANNE BROOKER received her BFA at the California Institute of the Arts in 1979, attended by invitation the Whitney Museum Independent Study program in New York City, and pursued her drawing studies at the School of Visual Arts. In 1990 Brooker returned to the West Coast and studied life drawing with Gary Faigin at the Gage Academy of Art and completed her MFA in figurative painting under Domenic Cretera at California State University, Long Beach. The author of Portrait Painting Atelier (2011), Brooker currently paints and teaches drawing and painting at the Gage Academy.

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    32 of 32 people found the following review helpful.
    Good organization, real practical tips, and a beautiful collection of landscape paintings from many artists
    By Toonie R
    Many artists limit their selection of paintings in their books to their own works. This book, in contrast, includes the artist's own works (particularly when she is showing, step by step, how she goes about painting), but also works from many other magnificent landscape artists. (In fact, this book first came to my attention because the cover features a work by Renato Muccillo). The paintings are very well selected to illustrate particular points she's making. I love that the instruction in this book encompasses both the big picture and the nitty gritty (such as brush techniques). While many art books are geared to beginners, this is an excellent art book that I believe has a lot to offer even for advanced painters. I consider myself intermediate, and it's perfect for me.

    21 of 23 people found the following review helpful.
    Pair with Albala and Carlson, and you have everything you need on landscape painting technique
    By Harold Roth
    I would put this together with Mitchell Albala's book in terms of helpfulness and beautiful images (and in fact Albala has a couple of paintings in this one, and I love his work, but I especially enjoyed the works here by Renato Muccillo). Although I paint in acrylics, not oils, I've been struggling with techniques I relied on in watercolor that don't work as well in acrylic. Most acrylic painting books seem to focus on gimmicks like gold leaf or carving shapes in gesso, and that is not what I want to do. I've looked at some other books on oil painting but they often relied on wet-in-wet and/or painterly techniques, which is not something I want to do with acrylics. I could see right away that this book gives many examples of the painter working over a dry layer, which is what I do, so these are techniques I can use. I have seen many examples of so-called Old Master type painting that involves toning the support, but I had not seen any colors used for that besides grays and earths. This is the first time I saw someone toning with cadmium orange. Right away I wanted to try that. I also appreciated the description of a flake white hue made from 1 parts titanium and 2 parts zinc. I have just begun working with white (since it's a no-no in watercolor, I never used it until the past year or so), and this formulation I will definitely try. The step-by-step paintings of clouds are especially helpful. Lots of good stuff here!

    0 of 0 people found the following review helpful.
    In The Middle
    By Stuart Schulz
    This book begins slowly, seemingly buried under a thick layer of verbiage and beautiful thoughts, without much practical application. Like music, you just can't read about art technique for long without dozing off. I almost gave up, thinking she might make a better writer than painter. But the quality of the art led me on, and by the middle of the book, the author stopped talking and started showing, and the book suddenly came alive...her observations and suggestions were first class, even for me--a long-term landscapist. I think next time she should just drop the first fifty pages and begin "in medias res" as the Greeks used to say, or maybe the Zoroastrians, I forget.

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